The Public Domain Review

Part essay collection, part shadow-play, part macabre ballet, Satan the Waster: A Philosophic War Trilogy (1920) is one of Vernon Lee's most political and experimental works. Amanda Gagel explores this modernist masterpiece which lays siege to the patriotism plaguing Europe and offers a vision for its possible pacifist future.

Experimental film from Alexander Hammid (and possibly also Maya Deren) exploring the lives of their two cats (and then five kittens) with which they lived in their Greenwich Village apartment.

William Granville's attempt to explain the more mysterious aspects of the Bible through the rigours of pure mathematics.

An entrepreneur, hunter, woodsman, scientist, and artist — John James Audubon, famous for his epic The Birds of America, is a figure intimately associated with a certain idea of what it means to be American. And like many of the country's icons, he was also an immigrant. Christoph Irmscher reflects on Audubon's complex relationship to his Haitian roots.

Huge variety of stories presented, sourced from both the more traditional tribes, including the headhunters of the rugged mountain regions, and from those "Christianized natives" whose stories bear evidence of their European influence.

Artworks from Prinzhorn's landmark text in the history of thinking about mental illness and creativity.

Spectacular and complex pattern poems from Maurus' De laudibus sanctae crucis (In Praise of the Holy Cross)

Players moving pieces along a track to be first to reach a goal was the archetypal board game format of the 18th and 19th century. Alex Andriesse looks at one popular incarnation in which these pieces progress chronologically through history itself, usually with some not-so-subtle ideological, moral, or national ideal as the object of the game.

Songs from Shakespeare plays as recorded by Victor in the first two decades of the twentieth century.