The Public Domain Review

An admiring account of Jean-Baptiste Godin’s factory, social housing, and workers’ co-operative in the French town of Guise.

With characteristic skill and wit, Hogarth’s frontispiece for Joshua Kirby’s Method of Perspective shows the pitfalls of getting it wrong.

Its our big birthday! We celebrate with a year-by-year glance back over the last decade of the project.

Rundown of our Top 10 most read pieces of the year.

As the French Revolution entered its most radical years, there emerged in print a recurring figure, the collective power of the people expressed as a single gigantic body — a king-eating Colossus. Samantha Wesner traces the lineage of this nouveau Hercules, from Erasmus Darwin’s Bastille-breaking giant to a latter incarnation in Mary Shelley’s Frankenstein.

Colorful chromolithograph postcards depicting Don Quixote in twentieth-century scenes.

Mushroom babies, heroic tortoises, death, burial, power struggles: folk tales from southern Nigeria as filtered through the sensibility of a colonial administrator.

Our End-of-Year Fundraiser is launched, and the new postcards theme will be Communication.

Images from colour pencil drawings made while the artist was submerged in a diving bell.

When we think of early New England, we tend to picture stern-faced Puritans and black-hatted Pilgrims, but in the same decade that these more famous settlers arrived, a man called Thomas Morton founded a very different kind of colony — a neo-pagan experiment he named Merrymount. Ed Simon explores the colony’s brief existence and the alternate vision of America it represents.