# articles

feed_id: http://publicdomainreview.org/?p=4744
title: Choregraphie (1701)
uri: Choregraphie-(1701)
url: http://publicdomainreview.org/2012/05/01/choregraphie-1701/
content:
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<iframe src='http://archive.org/stream/choregraphieoula00feui?ui=embed#mode/2up' width='818px' height='732px' frameborder='0' ></iframe>

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<span style="font-variant: small-caps;">Choregraphie, ou, L&#8217;art de décrire la dance, par caracteres, figures, et signes démonstratifs avec lesquels on apprend facilement de soy-même toutes sortes de dances: ouvrage tres-utile aux maîtres à dancer &#038; à toutes les personnes qui s&#8217;appliquent à la dance, by M. Feuillet, maître de dance; 1701; Chez l&#8217;auteur et chez Michel Brunet, Paris.</span>

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First published in 1700, this manual details a dance notation system invented by Raoul-Auger Feuillet which revolutionised the dance world. The system indicates the placement of the feet and six basic leg movements: plié, releveé, sauté, cabriole, tombé, and glissé. Changes of body direction and numerous ornamentations of the legs and arms are also part of the system which is based on tract drawings that trace the pattern of the dance. Additionally, bar lines in the dance score correspond to bar lines in the music score. Signs written on the right or left hand side of the tract indicate the steps. Voltaire ranked the invention as one of the &#8220;achievements of his day&#8221; and Denis Diderot devoted ten pages to the subject in his <em>Encylopdédie</em>. The book was translated into English by John Weaver in 1706 under the title <em>Orchesography. Or the Art of Dancing</em>.
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See extracted <a href="http://publicdomainreview.org/2012/05/02/collection-of-dances-in-choreography-notation-1700/" target="_blank">images</a> from the second half of the book over in our Images collection.
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<a href="http://openlibrary.org/books/OL24191484M/Choregraphie_ou_L'art_de_d%C3%A9crire_la_dance_par_caracteres_figures_et_signes_d%C3%A9monstratifs">Open Library link</a>
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feed_id: http://publicdomainreview.org/?p=4747
title: Collection of Dances in Choreography Notation (1700)
uri: Collection-of-Dances-in-Choreography-Notation-(1700)
url: http://publicdomainreview.org/2012/05/02/collection-of-dances-in-choreography-notation-1700/
content:
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Images extracted from the latter half of <em>Choregraphie</em>, a book first published in 1700 which details a dance notation system invented by Raoul-Auger Feuillet which revolutionised the dance world. The system indicates the placement of the feet and six basic leg movements: plié, releveé, sauté, cabriole, tombé, and glissé. Changes of body direction and numerous ornamentations of the legs and arms are also part of the system which is based on tract drawings that trace the pattern of the dance. Additionally, bar lines in the dance score correspond to bar lines in the music score. Signs written on the right or left hand side of the tract indicate the steps. Voltaire ranked the invention as one of the &#8220;achievements of his day&#8221; and Denis Diderot devoted ten pages to the subject in his <em>Encylopdédie</em>.
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The rest of the book, including a beautifully illustrated explanation (in French) of the notation system, can be viewed <a href="http://publicdomainreview.org/2012/05/01/choregraphie-1701/" target="_blank">here</a> in our Texts collection.
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feed_id: http://publicdomainreview.org/?p=4767
title: First Film Footage From Space (1963)
uri: First-Film-Footage-From-Space-(1963)
url: http://publicdomainreview.org/2012/05/04/first-film-footage-from-space-1963/
content:
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<iframe src="http://archive.org/embed/1963-11-14_Space_Movie" width="640" height="480" frameborder="0"></iframe>
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Universal Newsreel showing footage of the launch of a Titan II rocket in 1963 along with images from the unmanned capsule of the first stage being dropped. Beneath the falling debris of the discarded first stage the curvature of the earth is clearly visible: &#8220;Through the magic of the camera earthlings take their first ride into space.&#8221;<br />
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<a href="http://archive.org/details/1963-11-14_Space_Movie">Download from Internet Archive</a>
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<font size="1">Note this film is in the public domain in the US, but may not be in other jurisdictions. Please check its status in your jurisdiction before re-using.</font> 
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<li id="cg-2148" style="width:200px;height:200px;"><a href="http://publicdomainreview.org/2011/10/02/thief-of-bagdad-1924/"><img src="http://publicdomainreview.org/wp-content/plugins/category-grid-view-gallery/includes/timthumb.php"&amp;h=200&amp;w=200&amp;zc=1&amp;q=75" alt="Thief of Bagdad (1924)" title="Thief of Bagdad (1924)"/></a><div class="cgback cgnojs always"></div><div class="cgtitle cgnojs always"><p style="font-size:16px;line-height:19.2px;"><a href="http://publicdomainreview.org/2011/10/02/thief-of-bagdad-1924/">Thief of Bagdad (1924)</a></p></div></li>
<li id="cg-1683" style="width:200px;height:200px;"><a href="http://publicdomainreview.org/2011/10/02/five-minutes-to-live-1961/"><img src="http://publicdomainreview.org/wp-content/plugins/category-grid-view-gallery/includes/timthumb.php"&amp;h=200&amp;w=200&amp;zc=1&amp;q=75" alt="Five Minutes To Live (1961) " title="Five Minutes To Live (1961) "/></a><div class="cgback cgnojs always"></div><div class="cgtitle cgnojs always"><p style="font-size:16px;line-height:19.2px;"><a href="http://publicdomainreview.org/2011/10/02/five-minutes-to-live-1961/">Five Minutes To Live (1961) </a></p></div></li>
<li id="cg-2135" style="width:200px;height:200px;"><a href="http://publicdomainreview.org/2011/10/01/buffalo-dance-1894/"><img src="http://publicdomainreview.org/wp-content/plugins/category-grid-view-gallery/includes/timthumb.php"&amp;h=200&amp;w=200&amp;zc=1&amp;q=75" alt="Buffalo Dance (1894)" title="Buffalo Dance (1894)"/></a><div class="cgback cgnojs always"></div><div class="cgtitle cgnojs always"><p style="font-size:16px;line-height:19.2px;"><a href="http://publicdomainreview.org/2011/10/01/buffalo-dance-1894/">Buffalo Dance (1894)</a></p></div></li>
<li id="cg-1954" style="width:200px;height:200px;"><a href="http://publicdomainreview.org/2011/09/18/dutch-fashion-reel-1969/"><img src="http://publicdomainreview.org/wp-content/plugins/category-grid-view-gallery/includes/timthumb.php"&amp;h=200&amp;w=200&amp;zc=1&amp;q=75" alt="Dutch Fashion Reel (1969)" title="Dutch Fashion Reel (1969)"/></a><div class="cgback cgnojs always"></div><div class="cgtitle cgnojs always"><p style="font-size:16px;line-height:19.2px;"><a href="http://publicdomainreview.org/2011/09/18/dutch-fashion-reel-1969/">Dutch Fashion Reel (1969)</a></p></div></li>
<li id="cg-1965" style="width:200px;height:200px;"><a href="http://publicdomainreview.org/2011/09/18/betty-boop-minnie-the-moocher-1932/"><img src="http://publicdomainreview.org/wp-content/plugins/category-grid-view-gallery/includes/timthumb.php"&amp;h=200&amp;w=200&amp;zc=1&amp;q=75" alt="Betty Boop: Minnie The Moocher (1932) " title="Betty Boop: Minnie The Moocher (1932) "/></a><div class="cgback cgnojs always"></div><div class="cgtitle cgnojs always"><p style="font-size:16px;line-height:19.2px;"><a href="http://publicdomainreview.org/2011/09/18/betty-boop-minnie-the-moocher-1932/">Betty Boop: Minnie The Moocher (1932) </a></p></div></li>
<li id="cg-1279" style="width:200px;height:200px;"><a href="http://publicdomainreview.org/2011/09/17/suddenly-1954/"><img src="http://publicdomainreview.org/wp-content/plugins/category-grid-view-gallery/includes/timthumb.php"&amp;h=200&amp;w=200&amp;zc=1&amp;q=75" alt="Suddenly (1954)" title="Suddenly (1954)"/></a><div class="cgback cgnojs always"></div><div class="cgtitle cgnojs always"><p style="font-size:16px;line-height:19.2px;"><a href="http://publicdomainreview.org/2011/09/17/suddenly-1954/">Suddenly (1954)</a></p></div></li>
<li id="cg-1943" style="width:200px;height:200px;"><a href="http://publicdomainreview.org/2011/09/17/the-phantom-of-the-opera-1925/"><img src="http://publicdomainreview.org/wp-content/plugins/category-grid-view-gallery/includes/timthumb.php"&amp;h=200&amp;w=200&amp;zc=1&amp;q=75" alt="The Phantom of the Opera (1925)" title="The Phantom of the Opera (1925)"/></a><div class="cgback cgnojs always"></div><div class="cgtitle cgnojs always"><p style="font-size:16px;line-height:19.2px;"><a href="http://publicdomainreview.org/2011/09/17/the-phantom-of-the-opera-1925/">The Phantom of the Opera (1925)</a></p></div></li>
<li id="cg-1812" style="width:200px;height:200px;"><a href="http://publicdomainreview.org/2011/09/04/operation-cue-1955/"><img src="http://publicdomainreview.org/wp-content/plugins/category-grid-view-gallery/includes/timthumb.php"&amp;h=200&amp;w=200&amp;zc=1&amp;q=75" alt="Operation Cue (1955)" title="Operation Cue (1955)"/></a><div class="cgback cgnojs always"></div><div class="cgtitle cgnojs always"><p style="font-size:16px;line-height:19.2px;"><a href="http://publicdomainreview.org/2011/09/04/operation-cue-1955/">Operation Cue (1955)</a></p></div></li>
<li id="cg-1816" style="width:200px;height:200px;"><a href="http://publicdomainreview.org/2011/09/04/quicksand-1950/"><img src="http://publicdomainreview.org/wp-content/plugins/category-grid-view-gallery/includes/timthumb.php"&amp;h=200&amp;w=200&amp;zc=1&amp;q=75" alt="Quicksand (1950)" title="Quicksand (1950)"/></a><div class="cgback cgnojs always"></div><div class="cgtitle cgnojs always"><p style="font-size:16px;line-height:19.2px;"><a href="http://publicdomainreview.org/2011/09/04/quicksand-1950/">Quicksand (1950)</a></p></div></li>
<li id="cg-1827" style="width:200px;height:200px;"><a href="http://publicdomainreview.org/2011/09/04/never-weaken-1921/"><img src="http://publicdomainreview.org/wp-content/plugins/category-grid-view-gallery/includes/timthumb.php"&amp;h=200&amp;w=200&amp;zc=1&amp;q=75" alt="Never Weaken (1921)" title="Never Weaken (1921)"/></a><div class="cgback cgnojs always"></div><div class="cgtitle cgnojs always"><p style="font-size:16px;line-height:19.2px;"><a href="http://publicdomainreview.org/2011/09/04/never-weaken-1921/">Never Weaken (1921)</a></p></div></li>
<li id="cg-1820" style="width:200px;height:200px;"><a href="http://publicdomainreview.org/2011/09/04/intolerance-1916/"><img src="http://publicdomainreview.org/wp-content/plugins/category-grid-view-gallery/includes/timthumb.php"&amp;h=200&amp;w=200&amp;zc=1&amp;q=75" alt="Intolerance (1916)" title="Intolerance (1916)"/></a><div class="cgback cgnojs always"></div><div class="cgtitle cgnojs always"><p style="font-size:16px;line-height:19.2px;"><a href="http://publicdomainreview.org/2011/09/04/intolerance-1916/">Intolerance (1916)</a></p></div></li>
<li id="cg-1721" style="width:200px;height:200px;"><a href="http://publicdomainreview.org/2011/08/28/annie-oakley-1894/"><img src="http://publicdomainreview.org/wp-content/plugins/category-grid-view-gallery/includes/timthumb.php"&amp;h=200&amp;w=200&amp;zc=1&amp;q=75" alt="Annie Oakley (1894)" title="Annie Oakley (1894)"/></a><div class="cgback cgnojs always"></div><div class="cgtitle cgnojs always"><p style="font-size:16px;line-height:19.2px;"><a href="http://publicdomainreview.org/2011/08/28/annie-oakley-1894/">Annie Oakley (1894)</a></p></div></li>
<li id="cg-1719" style="width:200px;height:200px;"><a href="http://publicdomainreview.org/2011/08/28/the-wonderful-wizard-of-oz-1910/"><img src="http://publicdomainreview.org/wp-content/plugins/category-grid-view-gallery/includes/timthumb.php"&amp;h=200&amp;w=200&amp;zc=1&amp;q=75" alt="The Wonderful Wizard of Oz (1910) " title="The Wonderful Wizard of Oz (1910) "/></a><div class="cgback cgnojs always"></div><div class="cgtitle cgnojs always"><p style="font-size:16px;line-height:19.2px;"><a href="http://publicdomainreview.org/2011/08/28/the-wonderful-wizard-of-oz-1910/">The Wonderful Wizard of Oz (1910) </a></p></div></li>
<li id="cg-1715" style="width:200px;height:200px;"><a href="http://publicdomainreview.org/2011/08/28/the-last-man-on-earth-1964/"><img src="http://publicdomainreview.org/wp-content/plugins/category-grid-view-gallery/includes/timthumb.php"&amp;h=200&amp;w=200&amp;zc=1&amp;q=75" alt="The Last Man on Earth (1964)" title="The Last Man on Earth (1964)"/></a><div class="cgback cgnojs always"></div><div class="cgtitle cgnojs always"><p style="font-size:16px;line-height:19.2px;"><a href="http://publicdomainreview.org/2011/08/28/the-last-man-on-earth-1964/">The Last Man on Earth (1964)</a></p></div></li>
<li id="cg-1560" style="width:200px;height:200px;"><a href="http://publicdomainreview.org/2011/08/21/the-lodger-a-story-of-the-london-fog-1927/"><img src="http://publicdomainreview.org/wp-content/plugins/category-grid-view-gallery/includes/timthumb.php"&amp;h=200&amp;w=200&amp;zc=1&amp;q=75" alt="The Lodger: A Story of the London Fog (1927)" title="The Lodger: A Story of the London Fog (1927)"/></a><div class="cgback cgnojs always"></div><div class="cgtitle cgnojs always"><p style="font-size:16px;line-height:19.2px;"><a href="http://publicdomainreview.org/2011/08/21/the-lodger-a-story-of-the-london-fog-1927/">The Lodger: A Story of the London Fog (1927)</a></p></div></li>
<li id="cg-1557" style="width:200px;height:200px;"><a href="http://publicdomainreview.org/2011/08/21/scarlet-street-1945/"><img src="http://publicdomainreview.org/wp-content/plugins/category-grid-view-gallery/includes/timthumb.php"&amp;h=200&amp;w=200&amp;zc=1&amp;q=75" alt="Scarlet Street (1945) " title="Scarlet Street (1945) "/></a><div class="cgback cgnojs always"></div><div class="cgtitle cgnojs always"><p style="font-size:16px;line-height:19.2px;"><a href="http://publicdomainreview.org/2011/08/21/scarlet-street-1945/">Scarlet Street (1945) </a></p></div></li>
<li id="cg-1552" style="width:200px;height:200px;"><a href="http://publicdomainreview.org/2011/08/21/are-you-popular-1947/"><img src="http://publicdomainreview.org/wp-content/plugins/category-grid-view-gallery/includes/timthumb.php"&amp;h=200&amp;w=200&amp;zc=1&amp;q=75" alt="Are You Popular? (1947) " title="Are You Popular? (1947) "/></a><div class="cgback cgnojs always"></div><div class="cgtitle cgnojs always"><p style="font-size:16px;line-height:19.2px;"><a href="http://publicdomainreview.org/2011/08/21/are-you-popular-1947/">Are You Popular? (1947) </a></p></div></li>
<li id="cg-1547" style="width:200px;height:200px;"><a href="http://publicdomainreview.org/2011/08/21/trapeze-disrobing-act-1901/"><img src="http://publicdomainreview.org/wp-content/plugins/category-grid-view-gallery/includes/timthumb.php"&amp;h=200&amp;w=200&amp;zc=1&amp;q=75" alt="Trapeze Disrobing Act (1901)" title="Trapeze Disrobing Act (1901)"/></a><div class="cgback cgnojs always"></div><div class="cgtitle cgnojs always"><p style="font-size:16px;line-height:19.2px;"><a href="http://publicdomainreview.org/2011/08/21/trapeze-disrobing-act-1901/">Trapeze Disrobing Act (1901)</a></p></div></li>
<li id="cg-1425" style="width:200px;height:200px;"><a href="http://publicdomainreview.org/2011/08/14/the-snows-of-kilimanjaro-1952/"><img src="http://publicdomainreview.org/wp-content/plugins/category-grid-view-gallery/includes/timthumb.php"&amp;h=200&amp;w=200&amp;zc=1&amp;q=75" alt="The Snows of Kilimanjaro (1952)" title="The Snows of Kilimanjaro (1952)"/></a><div class="cgback cgnojs always"></div><div class="cgtitle cgnojs always"><p style="font-size:16px;line-height:19.2px;"><a href="http://publicdomainreview.org/2011/08/14/the-snows-of-kilimanjaro-1952/">The Snows of Kilimanjaro (1952)</a></p></div></li>
<li id="cg-1421" style="width:200px;height:200px;"><a href="http://publicdomainreview.org/2011/08/13/the-kiss-1896/"><img src="http://publicdomainreview.org/wp-content/plugins/category-grid-view-gallery/includes/timthumb.php"&amp;h=200&amp;w=200&amp;zc=1&amp;q=75" alt="The Kiss (1896)" title="The Kiss (1896)"/></a><div class="cgback cgnojs always"></div><div class="cgtitle cgnojs always"><p style="font-size:16px;line-height:19.2px;"><a href="http://publicdomainreview.org/2011/08/13/the-kiss-1896/">The Kiss (1896)</a></p></div></li>
<li id="cg-1417" style="width:200px;height:200px;"><a href="http://publicdomainreview.org/2011/08/13/experiments-in-the-revival-of-organisms-1940/"><img src="http://publicdomainreview.org/wp-content/plugins/category-grid-view-gallery/includes/timthumb.php"&amp;h=200&amp;w=200&amp;zc=1&amp;q=75" alt="Experiments in the Revival of Organisms (1940)" title="Experiments in the Revival of Organisms (1940)"/></a><div class="cgback cgnojs always"></div><div class="cgtitle cgnojs always"><p style="font-size:16px;line-height:19.2px;"><a href="http://publicdomainreview.org/2011/08/13/experiments-in-the-revival-of-organisms-1940/">Experiments in the Revival of Organisms (1940)</a></p></div></li>
<li id="cg-1413" style="width:200px;height:200px;"><a href="http://publicdomainreview.org/2011/08/12/battleship-potemkin-1925/"><img src="http://publicdomainreview.org/wp-content/plugins/category-grid-view-gallery/includes/timthumb.php"&amp;h=200&amp;w=200&amp;zc=1&amp;q=75" alt="Battleship Potemkin (1925)" title="Battleship Potemkin (1925)"/></a><div class="cgback cgnojs always"></div><div class="cgtitle cgnojs always"><p style="font-size:16px;line-height:19.2px;"><a href="http://publicdomainreview.org/2011/08/12/battleship-potemkin-1925/">Battleship Potemkin (1925)</a></p></div></li>
<li id="cg-1281" style="width:200px;height:200px;"><a href="http://publicdomainreview.org/2011/08/08/reefer-madness-1938/"><img src="http://publicdomainreview.org/wp-content/plugins/category-grid-view-gallery/includes/timthumb.php"&amp;h=200&amp;w=200&amp;zc=1&amp;q=75" alt="Reefer Madness (1938) " title="Reefer Madness (1938) "/></a><div class="cgback cgnojs always"></div><div class="cgtitle cgnojs always"><p style="font-size:16px;line-height:19.2px;"><a href="http://publicdomainreview.org/2011/08/08/reefer-madness-1938/">Reefer Madness (1938) </a></p></div></li>
<li id="cg-1028" style="width:200px;height:200px;"><a href="http://publicdomainreview.org/2011/08/02/wolf-blood-1925/"><img src="http://publicdomainreview.org/wp-content/plugins/category-grid-view-gallery/includes/timthumb.php"&amp;h=200&amp;w=200&amp;zc=1&amp;q=75" alt="Wolf Blood (1925)" title="Wolf Blood (1925)"/></a><div class="cgback cgnojs always"></div><div class="cgtitle cgnojs always"><p style="font-size:16px;line-height:19.2px;"><a href="http://publicdomainreview.org/2011/08/02/wolf-blood-1925/">Wolf Blood (1925)</a></p></div></li>
<li id="cg-1026" style="width:200px;height:200px;"><a href="http://publicdomainreview.org/2011/08/02/the-great-train-robbery-1903/"><img src="http://publicdomainreview.org/wp-content/plugins/category-grid-view-gallery/includes/timthumb.php"&amp;h=200&amp;w=200&amp;zc=1&amp;q=75" alt="The Great Train Robbery (1903)" title="The Great Train Robbery (1903)"/></a><div class="cgback cgnojs always"></div><div class="cgtitle cgnojs always"><p style="font-size:16px;line-height:19.2px;"><a href="http://publicdomainreview.org/2011/08/02/the-great-train-robbery-1903/">The Great Train Robbery (1903)</a></p></div></li>
<li id="cg-1024" style="width:200px;height:200px;"><a href="http://publicdomainreview.org/2011/08/02/the-execution-of-mary-queen-of-scots-1895/"><img src="http://publicdomainreview.org/wp-content/plugins/category-grid-view-gallery/includes/timthumb.php"&amp;h=200&amp;w=200&amp;zc=1&amp;q=75" alt="The Execution of Mary, Queen of Scots (1895)" title="The Execution of Mary, Queen of Scots (1895)"/></a><div class="cgback cgnojs always"></div><div class="cgtitle cgnojs always"><p style="font-size:16px;line-height:19.2px;"><a href="http://publicdomainreview.org/2011/08/02/the-execution-of-mary-queen-of-scots-1895/">The Execution of Mary, Queen of Scots (1895)</a></p></div></li>
<li id="cg-1021" style="width:200px;height:200px;"><a href="http://publicdomainreview.org/2011/08/02/plan-9-from-outer-space-1959/"><img src="http://publicdomainreview.org/wp-content/plugins/category-grid-view-gallery/includes/timthumb.php"&amp;h=200&amp;w=200&amp;zc=1&amp;q=75" alt="Plan 9 From Outer Space (1959)" title="Plan 9 From Outer Space (1959)"/></a><div class="cgback cgnojs always"></div><div class="cgtitle cgnojs always"><p style="font-size:16px;line-height:19.2px;"><a href="http://publicdomainreview.org/2011/08/02/plan-9-from-outer-space-1959/">Plan 9 From Outer Space (1959)</a></p></div></li>
<li id="cg-1017" style="width:200px;height:200px;"><a href="http://publicdomainreview.org/2011/08/02/the-general-1926/"><img src="http://publicdomainreview.org/wp-content/plugins/category-grid-view-gallery/includes/timthumb.php"&amp;h=200&amp;w=200&amp;zc=1&amp;q=75" alt="The General (1926)" title="The General (1926)"/></a><div class="cgback cgnojs always"></div><div class="cgtitle cgnojs always"><p style="font-size:16px;line-height:19.2px;"><a href="http://publicdomainreview.org/2011/08/02/the-general-1926/">The General (1926)</a></p></div></li>
<li id="cg-1014" style="width:200px;height:200px;"><a href="http://publicdomainreview.org/2011/08/02/frankenstein-1910/"><img src="http://publicdomainreview.org/wp-content/plugins/category-grid-view-gallery/includes/timthumb.php"&amp;h=200&amp;w=200&amp;zc=1&amp;q=75" alt="Frankenstein (1910)" title="Frankenstein (1910)"/></a><div class="cgback cgnojs always"></div><div class="cgtitle cgnojs always"><p style="font-size:16px;line-height:19.2px;"><a href="http://publicdomainreview.org/2011/08/02/frankenstein-1910/">Frankenstein (1910)</a></p></div></li>
<li id="cg-998" style="width:200px;height:200px;"><a href="http://publicdomainreview.org/2011/08/02/the-unappreciated-joke-1903/"><img src="http://publicdomainreview.org/wp-content/plugins/category-grid-view-gallery/includes/timthumb.php"&amp;h=200&amp;w=200&amp;zc=1&amp;q=75" alt="The Unappreciated Joke (1903)" title="The Unappreciated Joke (1903)"/></a><div class="cgback cgnojs always"></div><div class="cgtitle cgnojs always"><p style="font-size:16px;line-height:19.2px;"><a href="http://publicdomainreview.org/2011/08/02/the-unappreciated-joke-1903/">The Unappreciated Joke (1903)</a></p></div></li>
<li id="cg-863" style="width:200px;height:200px;"><a href="http://publicdomainreview.org/2011/08/02/princess-nicotine-1909/"><img src="http://publicdomainreview.org/wp-content/plugins/category-grid-view-gallery/includes/timthumb.php"&amp;h=200&amp;w=200&amp;zc=1&amp;q=75" alt="Princess Nicotine (1909)" title="Princess Nicotine (1909)"/></a><div class="cgback cgnojs always"></div><div class="cgtitle cgnojs always"><p style="font-size:16px;line-height:19.2px;"><a href="http://publicdomainreview.org/2011/08/02/princess-nicotine-1909/">Princess Nicotine (1909)</a></p></div></li>
<li id="cg-889" style="width:200px;height:200px;"><a href="http://publicdomainreview.org/2011/08/01/last-of-the-mohicans-1920/"><img src="http://publicdomainreview.org/wp-content/plugins/category-grid-view-gallery/includes/timthumb.php"&amp;h=200&amp;w=200&amp;zc=1&amp;q=75" alt="Last of the Mohicans (1920)" title="Last of the Mohicans (1920)"/></a><div class="cgback cgnojs always"></div><div class="cgtitle cgnojs always"><p style="font-size:16px;line-height:19.2px;"><a href="http://publicdomainreview.org/2011/08/01/last-of-the-mohicans-1920/">Last of the Mohicans (1920)</a></p></div></li>
<li id="cg-868" style="width:200px;height:200px;"><a href="http://publicdomainreview.org/2011/08/01/meet-john-doe-1941/"><img src="http://publicdomainreview.org/wp-content/plugins/category-grid-view-gallery/includes/timthumb.php"&amp;h=200&amp;w=200&amp;zc=1&amp;q=75" alt="Meet John Doe (1941)" title="Meet John Doe (1941)"/></a><div class="cgback cgnojs always"></div><div class="cgtitle cgnojs always"><p style="font-size:16px;line-height:19.2px;"><a href="http://publicdomainreview.org/2011/08/01/meet-john-doe-1941/">Meet John Doe (1941)</a></p></div></li>
<li id="cg-865" style="width:200px;height:200px;"><a href="http://publicdomainreview.org/2011/08/01/gertie-the-dinosaur-1914/"><img src="http://publicdomainreview.org/wp-content/plugins/category-grid-view-gallery/includes/timthumb.php"&amp;h=200&amp;w=200&amp;zc=1&amp;q=75" alt="Gertie The Dinosaur (1914)" title="Gertie The Dinosaur (1914)"/></a><div class="cgback cgnojs always"></div><div class="cgtitle cgnojs always"><p style="font-size:16px;line-height:19.2px;"><a href="http://publicdomainreview.org/2011/08/01/gertie-the-dinosaur-1914/">Gertie The Dinosaur (1914)</a></p></div></li>
</ul></div>

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feed_id: http://publicdomainreview.org/?p=4772
title: Illustrations of Ventilation (1869)
uri: Illustrations-of-Ventilation-(1869)
url: http://publicdomainreview.org/2012/05/05/lectures-on-ventilation-1869/
content:
<div align="center">

Illustrations showing movement of air through various rooms, from <em>Lectures on Ventilation</em> (1869) by Lewis W. Leeds. Images via <a href="http://commons.wikimedia.org/wiki/Category:Lectures_on_Ventilation" target="_blank">Wikimedia Commons</a>. The full book can be seen <a href="http://archive.org/details/lecturesonventil00leedrich" target="_blank">here</a> on Internet Archive.

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feed_id: http://publicdomainreview.org/?p=4787
title: The Memoirs of Count Boruwlaski (1820)
uri: The-Memoirs-of-Count-Boruwlaski-(1820)
url: http://publicdomainreview.org/2012/05/07/the-memoirs-of-count-boruwlaski-1820/
content:
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<span style="font-variant: small-caps;">Memoirs of Count Boruwlaski, containing a sketch of his travels, with an account of his reception at the different courts of Europe, Joseph Boruwlaski; 1820; Andrews, Durham </span>

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Józef Boruwłaski (1739–1837) was a Polish-born dwarf who toured in European and Turkish courts. Although not a nobleman by birth (the Count in his name did not refer to a real title), when Boruwlaski was fifteen and 64 cm (25 inches) tall he was adopted into the Eastern European aristocracy and taken into the care of Countess Humiecka. With the Countess he toured the homes of Europe&#8217;s elite including Empress Maria Theresa and the ex-King of Poland. In 1960 he travelled with the Countess to Paris where he frequented the court in various masked balls and pageants, reportedly impressing the ladies greatly, and entertaining crowds with his guitar playing. When Stanisław II acceded to the throne of Poland, he took Boruwlaski under his protection. When Boruwlaski fell in love with the Countess&#8217; new companion, Isalina Barbutan, the countess threw him out but the King interceded on his behalf, gave him a small allowance and a coach to travel in, and with the royal backing he married Isalina. At first, Isalina, the child of a French couple who had settled in Poland, was reluctant to marry Joseph, but he bombarded her with love-letters and won her heart. At the age of 25, Boruwlaski stood 89 cm (35 inches tall), and five years later, measured 99 cm (39 inches), which was to be his final height. After further tours of Austria, Germany, and Turkey, he made his way to England with his wife, where he was presented to George IV and the rest of the royal family. He also met the Irish giant Patrick Cotter and the famously overweight Daniel Lambert. Although he was sometimes able to make a reasonable living from playing the guitar, the problems and expenses of touring sometimes wore Boruwlaski down. Money problems forced Joseph to display himself for money (which he found deeply humiliating) and to bring out three different editions of his autobiography, the last published at Durham in 1820. Eventually, in his advancing years, Boruwlaski accepted an offer to live in Durham, from Thomas Ebdon, organist of Durham cathedral. He died in Durham, on September 5, 1837, at the age of 97. (<a href="http://en.wikipedia.org/wiki/J%C3%B3zef_Boruw%C5%82aski" target="_blank">Wikipedia</a>)
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<a href="http://openlibrary.org/books/OL7246922M/Memoirs_of_Count_Boruwlaski_containing_a_sketch_of_his_travels_with_an_account_of_his_reception_at_t">Open Library link</a>
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feed_id: http://publicdomainreview.org/?p=4782
title: The Assassination of the Prime Minister, Spencer Perceval
uri: The-Assassination-of-the-Prime-Minister-Spencer-Perceval
url: http://publicdomainreview.org/2012/05/08/the-assassination-of-the-prime-minister-spencer-perceval/
content:
<p><strong>Only once has a British Prime Minister been assassinated. Two hundred years ago, on the 11th May 1812, John Bellingham shot dead the Rt. Hon. Spencer Perceval as he entered the House of Commons. David C. Hanrahan tells the story. </strong></p>

<div class="wp-caption alignnone" style="width: 550px"><img alt="" src="http://farm8.staticflickr.com/7051/7152395109_91504212a0_o.jpg" width="540" height="440" /><p class="wp-caption-text">Illustration of the shooting, artist unknown. (Source: Norris Museum)</p></div>

<p>On Monday 11 May, 1812, an unremarkable, anonymous man, just over forty years of age, made his way to the Houses of Parliament.  The man had become a frequent visitor there over the previous few weeks, sitting in the gallery of the House of Commons and carefully examining the various members of the government through his opera glasses.  At 5.00 p.m. on this particular day he walked into the lobby that led to the House of Commons and sat near the fireplace.  No-one could have known that he was carrying, concealed on his person, two loaded pistols.</p>

<p>As it was a fine evening Mr. Spencer Perceval, the Tory First Lord of the Treasury, or Prime Minister, had decided to dispense with his carriage and walk from No. 10, Downing Street, to the Houses of Parliament.   He arrived there around 5.15pm, entered the building and walked down the corridor towards the lobby entrance to the House of Commons.  He handed his coat to the officer positioned outside the doors to the lobby.</p>

<p>As Mr. Perceval entered the lobby a number of people were gathered around in conversation as was the usual practice.  Most turned to look at him as he came through the doorway.  No-one noticed as the quiet man stood up from beside the fire place, removing a pistol from his inner pocket as he did so.  Neither did anyone notice as the man walked calmly towards the Prime Minister.  When he was close enough, without saying a word, the man fired his pistol directly at Mr. Perceval’s chest.  The Prime Minister staggered forward before falling to the ground, calling out as he did so words that witnesses later recalled in different ways as: “I am murdered!” or ‘Murder, Murder’ or ‘Oh God!’ or ‘Oh my God!’</p>

<p>Amid the confusion, a number of people raised Mr. Perceval from the ground and carried him into the nearby Speaker’s apartments.  They placed him in a sitting position on a table, supporting him on either side.  Most ominously, the Prime Minister had not uttered a single word since falling on the floor of the lobby, and the only noises to have emanated from him since had been a few pathetic sobs.  After a short time Mr. Smith MP, on failing to find any perceptible sign of a pulse, announced his terrible conclusion to the group of stunned onlookers that the Prime Minister was dead.</p>

<div class="wp-caption alignnone" style="width: 550px"><img alt="" src="http://farm8.staticflickr.com/7256/7006303164_dfeeef75b0_o.jpg" width="540" height="766" /><p class="wp-caption-text">The Assassination of Spencer Perceval, illustration by Walter Stanley Paget (1861-1908) from Cassell's Illustrated History of England. Vol.5 (1909)</p></div>

<p>Before long Mr. William Lynn, a surgeon situated at No. 15 Great George Street, arrived on the scene and confirmed that Mr. Smith was indeed correct.  The surgeon noted the blood all over the deceased Prime Minister’s coat and white waistcoat.  His examination of the body revealed a wound on the left side of the chest over the fourth rib.  It was obvious that a rather large pistol ball had entered there.  Mr. Lynn probed an instrument into the wound and found that it went downwards and inwards towards the heart. The wound was more than three inches deep.  The Prime Minister, who was not yet fifty years of age, left behind a widow, Jane, and twelve children.</p>

<p>In the shock of what had happened, the assassin was almost forgotten.  The man had not attempted to escape as he might well have done amid the confusion.  Instead, he had returned quietly to his seat beside the fireplace.  The identity of the man was revealed as John Bellingham, not a violent radical but a businessman from Liverpool.  The details of his story soon began to emerge.  As a result of a dispute with some Russian Businessmen, Bellingham had been imprisoned in Russia in 1804 accused of owing a debt.  He had been held in various prisons there for the next 5 years.  Throughout all of this time he had pleaded with the British authorities for assistance in fighting his cause for justice.   He believed that they had not given his case sufficient attention.</p>

<p>Bellingham was finally released from gaol and returned to England in 1809 a very bitter man.  He felt deep resentment against the British authorities and immediately set about seeking financial compensation from them for his suffering and loss of business.  Once again, however, Bellingham felt that he was being ignored.  He petitioned the Foreign Secretary, the Treasury, the Privy Council, the Prime Minister, even the Prince Regent, but all to no avail.  No one was willing to hear his case for compensation.  Finally, he came to the insane decision that the only way for him to get a hearing in court was to shoot the Prime Minister.</p>

<div class="wp-caption alignnone" style="width: 550px"><img alt="" src="http://farm9.staticflickr.com/8021/7006314972_9606b047f4_o.jpg" width="540" height="623" /><p class="wp-caption-text">Detail from a painting of The Prime Minister, Spencer Perceval, in the year of his death, 1812, by George Francis Joseph. (Source: National Portrait Gallery)</p></div>

<p>On the Friday following the assassination of the Prime Minister, John Bellingham did indeed get his day in court, but only to answer a charge of murder.  His trial took place in a packed court room at the Old Bailey, presided over by Sir James Mansfield, the Lord Chief Justice of the Common Pleas.  The tall, thin Bellingham came before the court wearing dark nankeen trousers, a yellow waistcoat with black stripes and a brown greatcoat.   The members of his defence team first attempted to get the trial postponed on the grounds that they had not been given sufficient time to prepare for the case.  Mr. Peter Alley, Bellingham’s chief counsel, told the court that he had only been given the case the day before and that he had never even met Mr. Bellingham until that very day.  He asserted that given adequate time, in particular to find medical experts and witnesses in Liverpool who knew Mr. Bellingham personally, he was confident he could prove his client to be insane.  The Attorney General, Sir Vicary Gibbs, on behalf of the prosecution, argued vehemently against any such postponement.  Ultimately Mr. Allen’s request was unsuccessful and the trial proceeded.</p>

<p>The Attorney General set about dismantling the reason Bellingham had given as justification for his heinous act by arguing that the Government had been aware of what had happened to him in Russia, had examined his claims and had rejected them. He also rejected any notion that Bellingham was insane.  He said that Bellingham had been well able to conduct his business and had been trusted by other to conduct theirs without any hint of insanity on his behalf.</p>

<div class="wp-caption alignnone" style="width: 550px"><img alt="" src="http://farm8.staticflickr.com/7272/7152394167_c7771d4649_o.jpg" width="540" height="758" /><p class="wp-caption-text">Titlepage from the pamphlet 'The Trial of John Bellingham for the Wilful murder of the Right Hon. Spencer Perceval, in the lobby of the House of Commons' (Source: National Library of Medicine)</p></div>

<p>When his time came to speak, Bellingham continued to base his defence upon what had happened to him in Russia: his unjust arrest for a debt he did not owe and the failure of the British Government to assist at that time and since.  Before outlining the details of his experience in Russia, he stated that he was pleased the judge had not accepted his counsel’s arguments alleging his insanity.  He made it clear that although he believed what he had done to be necessary and justified, he bore Mr. Perceval or his family no personal malice:</p>

<blockquote>Gentlemen, as to the lamentable catastrophe for which I am now on my trial before this court, if I am the man that I am supposed to be, to go and deliberately shoot Mr. Perceval without malice, I should consider myself a monster, and not fit to live in this world or the next.  The learned Attorney General has candidly stated to you, that till this fatal time of this catastrophe, which I heartily regret, no man more so, not even one of the family of Mr. Perceval, I had no personal or premeditated malice towards that gentleman; the unfortunate lot had fallen upon him as the leading member of that administration which had repeatedly refused me any reparation for the unparalleled injuries I had sustained in Russia for eight years with the cognizance and sanction of the minister of the country at the court of St. Petersburg.</blockquote>

<p>Bellingham was clear about where he felt the blame lay for Spencer Perceval’s death:</p>

<blockquote>A refusal of justice was the sole cause of this fatal catastrophe; his Majesty&#8217;s ministers have now to reflect upon their conduct for what has happened.   . . . Mr. Perceval has unfortunately fallen the victim of my desperate resolution. No man, I am sure, laments the calamitous event more than I do.</blockquote>

<p>In the end, of course, his arguments for justification had no influence upon a judge and jury shocked by his horrific murder of the Prime Minister.  The Lord Chief Justice even became openly emotional and began to cry at one point during his statement to the jury:</p>

<blockquote>Gentlemen of the jury, you are now to try an indictment which charges the prisoner at the bar with the wilful murder . . . of Mr. Spencer Perceval, . . . who was murdered with a pistol loaded with a bullet; . . . a man so dear, and so revered as that of Mr. Spencer Perceval, I find it difficult to suppress my feelings.</blockquote>

<p>He dismissed any idea that Bellingham might have been insane at the time of committing the crime:</p>

<blockquote>. . . there was no proof adduced to show that his understanding was so deranged, as not to enable him to know that murder was a crime.  On the contrary, the testimony adduced in his defence, has most distinctly proved, from a description of his general demeanour, that he was in every respect a full and competent judge of all his actions.</blockquote>

<p>In such circumstances it is no surprise that John Bellingham was found guilty of  Spencer Perceval’s murder by a jury that took only fourteen minutes to reach a verdict.  On the following Monday he was executed and his body sent for dissection to St. Bartholomew’s hospital.  He is remembered in history as the only assassin ever of a British Prime Minister.
<br />
<br />
<div class="wp-caption alignnone" style="width: 550px"><img alt="" src="http://farm8.staticflickr.com/7216/7157625836_14577d5e28_o.jpg" width="540" height="223" /><p class="wp-caption-text">Following his execution John Bellingham's skull became the subject of research for phrenologists, representing the head of a destructive personality. Shown here is a comparison of Bellingham's skull with that of a 'Hindoo', from <em>A System of Phrenology</em> (1834) by George Combe</p></div></p>

<p><br /></p>

<hr />

<p><em>David C. Hanrahan is the author of <a href="http://www.amazon.com/gp/product/0750944005/ref=as_li_ss_tl?ie=UTF8&#038;tag=thepubdomrev-20&#038;linkCode=as2&#038;camp=1789&#038;creative=390957&#038;creativeASIN=0750944005">The Assassination of the Prime Minister: John Bellingham and the Murder of Spencer Perceval</a><img src="http://www.assoc-amazon.com/e/ir?t=thepubdomrev-20&#038;l=as2&#038;o=1&#038;a=0750944005" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" />
 (The History Press, 2008). His other books include: <a href="http://www.amazon.com/gp/product/B007K4U13U/ref=as_li_ss_tl?ie=UTF8&#038;tag=thepubdomrev-20&#038;linkCode=as2&#038;camp=1789&#038;creative=390957&#038;creativeASIN=B007K4U13U">Colonel Blood: The Man Who Stole the Crown Jewels</a><img src="http://www.assoc-amazon.com/e/ir?t=thepubdomrev-20&#038;l=as2&#038;o=1&#038;a=B007K4U13U" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" />
 (The History Press 2003); <a href="http://www.amazon.com/gp/product/0750939168/ref=as_li_ss_tl?ie=UTF8&#038;tag=thepubdomrev-20&#038;linkCode=as2&#038;camp=1789&#038;creative=390957&#038;creativeASIN=0750939168">Charles II and the Duke of Buckingham</a><img src="http://www.assoc-amazon.com/e/ir?t=thepubdomrev-20&#038;l=as2&#038;o=1&#038;a=0750939168" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" />
 (The History Press 2006); <a href="http://www.amazon.com/gp/product/0709090404/ref=as_li_ss_tl?ie=UTF8&#038;tag=thepubdomrev-20&#038;linkCode=as2&#038;camp=1789&#038;creative=390957&#038;creativeASIN=0709090404">The First Great Train Robbery</a><img src="http://www.assoc-amazon.com/e/ir?t=thepubdomrev-20&#038;l=as2&#038;o=1&#038;a=0709090404" width="1" height="1" border="0" alt="" style="border:none !important; margin:0px !important;" />
 (Robert Hale, 2011).</em></blockquote></p>

<p><br /></p>

<h1>Links to Works</h1>

<p><br /></p>

<ul>
<li><p>Transcript of the Old Bailey trial of John Bellingham</p>

<ul>
<li><a href="http://www.oldbaileyonline.org/browse.jsp?id=t18120513-5&amp;div=t18120513-5&amp;terms=John%20Bellingham#highlight">Old Bailey online</a></li>
</ul></li>
<li><p><em>The Substance of a Conversation with John Bellingham, the assassin of the late Right Hon. Spencer Perceval</em> (1812), by Daniel Wilson</p>

<ul>
<li><a href="http://archive.org/details/substanceofconve00wils">Internet Archive</a></li>
</ul></li>
</ul>
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feed_id: http://publicdomainreview.org/?p=4816
title: Guess the Celeb behind the Driving Garb (1906)
uri: Guess-the-Celeb-behind-the-Driving-Garb-(1906)
url: http://publicdomainreview.org/2012/05/09/guess-the-celeb-behind-the-driving-garb-1906/
content:
<div align="center">

Images from a 1906 issue of the French women&#8217;s magazine <em>Femina</em>, the first of it&#8217;s kind in France and which is still going today. These strange array of pictures are from a competition in which the readers were asked to identify the famous female &#8216;artistes&#8217; of the day obscured behind a bizarre variety of women&#8217;s driving headwear. We at the PDR are not having much luck getting a single one. Can you fare any better? 


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(All images via <a href="http://commons.wikimedia.org/wiki/Category:Charles_Reutlinger" target="_blank">Wikimedia Commons</a>). 

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<img src="http://upload.wikimedia.org/wikipedia/commons/thumb/0/05/ConcoureDeChauffeuses01.jpg/624px-ConcoureDeChauffeuses01.jpg" alt="" />
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feed_id: http://publicdomainreview.org/?p=4835
title: A Floral Fantasy in an Old English Garden (1899)
uri: A-Floral-Fantasy-in-an-Old-English-Garden-(1899)
url: http://publicdomainreview.org/2012/05/10/a-floral-fantasy-in-an-old-english-garden-1899/
content:
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<iframe src='http://archive.org/stream/floralfantasyino00cranrich?ui=embed#page/n7/mode/2up' width='818px' height='732px' frameborder='0' ></iframe>

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<span style="font-variant: small-caps;">A Floral Fantasy in an Old English Garden, set forth in verses &#038; coloured designs, by Walter Crane; 1899; Harper, London</span>

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Walter Crane (1845–1915) is considered to be the most prolific and influential children’s book creator of his generation and, along with Randolph Caldecott and Kate Greenaway, one of the strongest contributors to the child&#8217;s nursery motif that the genre of English children&#8217;s illustrated literature would exhibit in its developmental stages in the latter 19th century. His work featured some of the more colourful and detailed beginnings of the child-in-the-garden motifs that would characterize many nursery rhymes and children&#8217;s stories for decades to come. (<a href="http://en.wikipedia.org/wiki/Walter_Crane#Death.2C_and_legacy" target="_blank">Wikipedia</a>)
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<a href="http://openlibrary.org/books/OL7139522M/A_floral_fantasy_in_an_old_English_garden">Open Library link</a>
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</ul></div>

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feed_id: http://publicdomainreview.org/?p=4840
title: Rip Van Winkle (1896)
uri: Rip-Van-Winkle-(1896)
url: http://publicdomainreview.org/2012/05/12/rip-van-winkle-1896/
content:
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<iframe src="http://archive.org/embed/rip_van_winkle_1896" width="640" height="480" frameborder="0"></iframe>
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The first film adaptation of Washington Irving&#8217;s &#8220;Rip Van Winkle&#8221;, a short story about a man who awakes after a 20 year long sleep to a huge white beard on his face and a much changed world. In this footage, Joseph Jefferson, the actor most associated with the character on the 19th century stage, makes a series of short films recreating scenes from his stage adaptation.<br />
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<a href="http://archive.org/details/rip_van_winkle_1896">Download from Internet Archive</a>
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<font size="1">Note this film is in the public domain in the US, but may not be in other jurisdictions. Please check its status in your jurisdiction before re-using.</font> 
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feed_id: http://publicdomainreview.org/?p=4846
title: Codex Mendoza (1542)
uri: Codex-Mendoza-(1542)
url: http://publicdomainreview.org/2012/05/14/codex-mendoza-1542/
content:
<div align="center">

The Codex Mendoza is an Aztec codex, created about twenty years after the Spanish conquest of Mexico with the intent that it be seen by Charles V, the Holy Roman Emperor and King of Spain. It contains a history of the Aztec rulers and their conquests, a list of the tribute paid by the conquered, and a description of daily Aztec life, in traditional Aztec pictograms with Spanish explanations and commentary. It is named after Antonio de Mendoza, then the viceroy of New Spain, who may have commissioned it. After creation in Mexico City, it was sent by ship to Spain. The fleet, however, was attacked by French privateers, and the codex, along with the rest of the booty, was taken to France. There it came into the possession of André Thévet, cosmographer to King Henry II of France. Thévet wrote his name in five places on the codex, twice with the date 1553. It was later bought by the Englishman Richard Hakluyt for 20 French francs. Some time after 1616 it was passed to Samuel Purchase, then to his son, and then to John Selden. The codex was deposited into the Bodleian Library at Oxford University in 1659, 5 years after Selden&#8217;s death, where it remained in obscurity until 1831, when it was rediscovered by Viscount Kingsborough and brought to the attention of scholars. (<a href="http://en.wikipedia.org/wiki/Codex_Mendoza" target="_blank">Wikipedia</a>)
<br />
<br />
(All images <a href="http://commons.wikimedia.org/wiki/Codex_Mendoza" target="_blank">Wikimedia Commons</a>). 

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<br />

<div class="wp-caption alignnone" style="width: 420px"><img alt="" src="http://upload.wikimedia.org/wikipedia/commons/thumb/e/e2/Codex_Mendoza_folio_2r.jpg/410px-Codex_Mendoza_folio_2r.jpg" width="410" height="600" /><p class="wp-caption-text">Depicts the founding of Tenochtitlan, and the conquest of Colhuacan and Tenayucan.
</p></div>

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<div class="wp-caption alignnone" style="width: 407px"><img alt="" src="http://upload.wikimedia.org/wikipedia/commons/thumb/4/44/Codex_Mendoza_folio_4v.jpg/397px-Codex_Mendoza_folio_4v.jpg" width="397" height="599" /><p class="wp-caption-text">Depicts the rule and conquests of Chimalpopoca.</p></div>


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<div class="wp-caption alignnone" style="width: 420px"><img alt="" src="http://upload.wikimedia.org/wikipedia/commons/thumb/7/7a/Codex_Mendoza_folio_10r.jpg/410px-Codex_Mendoza_folio_10r.jpg" width="410" height="599" /><p class="wp-caption-text">Depicts the rule and conquests of Axayacatl</p></div>

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<div class="wp-caption alignnone" style="width: 419px"><img alt="" src="http://upload.wikimedia.org/wikipedia/commons/thumb/7/76/Codex_Mendoza_folio_13r.jpg/409px-Codex_Mendoza_folio_13r.jpg" width="409" height="600" /><p class="wp-caption-text">Depicts the rule and conquests of Ahuitzotl</p></div>

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<div class="wp-caption alignnone" style="width: 405px"><img alt="" src="http://upload.wikimedia.org/wikipedia/commons/thumb/2/2a/Codex_Mendoza_folio_17v.jpg/395px-Codex_Mendoza_folio_17v.jpg" width="395" height="599" /><p class="wp-caption-text"> </p></div>

<br />

<div class="wp-caption alignnone" style="width: 408px"><img alt="" src="http://upload.wikimedia.org/wikipedia/commons/thumb/c/c9/Codex_Mendoza_folio_20r.jpg/398px-Codex_Mendoza_folio_20r.jpg" width="398" height="599" /><p class="wp-caption-text">Lists the tribute towns were required to pay to the Aztec empire</p></div>

<br />

<div class="wp-caption alignnone" style="width: 416px"><img alt="" src="http://upload.wikimedia.org/wikipedia/commons/thumb/d/d7/Codex_Mendoza_folio_37r.jpg/406px-Codex_Mendoza_folio_37r.jpg" width="406" height="599" /><p class="wp-caption-text">Lists the tribute towns were required to pay to the Aztec empire</p></div>

<br />

<div class="wp-caption alignnone" style="width: 431px"><img alt="" src="http://upload.wikimedia.org/wikipedia/commons/thumb/c/c4/Codex_Mendoza_folio_46r.jpg/421px-Codex_Mendoza_folio_46r.jpg" width="421" height="599" /><p class="wp-caption-text">Lists the tribute towns were required to pay to the Aztec empire</p></div>


<br />

<div class="wp-caption alignnone" style="width: 423px"><img alt="" src="http://upload.wikimedia.org/wikipedia/commons/thumb/c/c1/Codex_Mendoza_folio_47r.jpg/413px-Codex_Mendoza_folio_47r.jpg" width="413" height="599" /><p class="wp-caption-text">Lists the tribute towns were required to pay to the Aztec empire</p></div>

<br />

<div class="wp-caption alignnone" style="width: 418px"><img alt="" src="http://upload.wikimedia.org/wikipedia/commons/thumb/9/95/Codex_Mendoza_folio_52r.jpg/408px-Codex_Mendoza_folio_52r.jpg" width="408" height="599" /><p class="wp-caption-text">Lists the tribute towns were required to pay to the Aztec empire</p></div>

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<div class="wp-caption alignnone" style="width: 426px"><img alt="" src="http://upload.wikimedia.org/wikipedia/commons/thumb/7/7f/Codex_Mendoza_folio_57r.jpg/416px-Codex_Mendoza_folio_57r.jpg" width="416" height="600" /><p class="wp-caption-text"> </p></div>

<br />

<div class="wp-caption alignnone" style="width: 423px"><img alt="" src="http://upload.wikimedia.org/wikipedia/commons/thumb/4/43/Codex_Mendoza_folio_58r.jpg/413px-Codex_Mendoza_folio_58r.jpg" width="413" height="600" /><p class="wp-caption-text"> </p></div>

<br />

<div class="wp-caption alignnone" style="width: 425px"><img alt="" src="http://upload.wikimedia.org/wikipedia/commons/thumb/6/60/Codex_Mendoza_folio_60r.jpg/415px-Codex_Mendoza_folio_60r.jpg" width="415" height="599" /><p class="wp-caption-text"> </p></div>

<br />

<div class="wp-caption alignnone" style="width: 425px"><img alt="" src="http://upload.wikimedia.org/wikipedia/commons/thumb/b/bb/Codex_Mendoza_folio_61r.jpg/415px-Codex_Mendoza_folio_61r.jpg" width="415" height="599" /><p class="wp-caption-text"> </p></div>

<br />

<div class="wp-caption alignnone" style="width: 427px"><img alt="" src="http://upload.wikimedia.org/wikipedia/commons/thumb/9/97/Codex_Mendoza_folio_62r.jpg/417px-Codex_Mendoza_folio_62r.jpg" width="417" height="599" /><p class="wp-caption-text"> </p></div>

<br />

<div class="wp-caption alignnone" style="width: 428px"><img alt="" src="http://upload.wikimedia.org/wikipedia/commons/thumb/5/57/Codex_Mendoza_folio_64r.jpg/418px-Codex_Mendoza_folio_64r.jpg" width="418" height="599" /><p class="wp-caption-text"> </p></div>

<br />

<div class="wp-caption alignnone" style="width: 435px"><img alt="" src="http://upload.wikimedia.org/wikipedia/commons/thumb/2/24/Codex_Mendoza_folio_65r.jpg/425px-Codex_Mendoza_folio_65r.jpg" width="425" height="599" /><p class="wp-caption-text"> </p></div>

<br />

<div class="wp-caption alignnone" style="width: 441px"><img alt="" src="http://upload.wikimedia.org/wikipedia/commons/thumb/0/00/Codex_Mendoza_folio_67r.jpg/431px-Codex_Mendoza_folio_67r.jpg" width="431" height="600" /><p class="wp-caption-text"> </p></div>

<br />

<div class="wp-caption alignnone" style="width: 477px"><img alt="" src="http://upload.wikimedia.org/wikipedia/commons/f/f0/Codex_Mendoza_folio_69r.jpg" width="467" height="600" /><p class="wp-caption-text">Depicts the palace of Motecuhzoma</p></div>





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feed_id: http://publicdomainreview.org/?p=4861
title: How to Become a Magician (1882)
uri: How-to-Become-a-Magician-(1882)
url: http://publicdomainreview.org/2012/05/16/how-to-become-a-magician-1882/
content:
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<iframe src='http://archive.org/stream/howtobecomemagic00warf?ui=embed#mode/2up' width='818px' height='732px' frameborder='0' ></iframe>

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<span style="font-variant: small-caps;">How to Become a Magician, Containing a Grand Assortment of Magical Illusions as Performed by the Leading Magicians and Wizards of the Day; 1882; F. Tousey, New York</span>

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A grand assortment of various tricks, illusions, conjurings, deceptions and slights of hand&#8230;.<br /><br />


<blockquote>The following pages are not intended to make the young reader either a cheat or a trickster; there is nothing perhaps so utterly contemptible in every-day life as trickery and deceit, and we would caution our young friends not to cultivate a love of deception, which is only allowable in such feats of amusement, because it is in fact not deception at all, when everybody expects to be puzzled, and is only left to find out the mystery the best way he can.</blockquote>


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<a href="http://openlibrary.org/books/OL25266656M/How_to_become_a_magician">Open Library link</a>
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feed_id: http://publicdomainreview.org/?p=4867
title: The Practical Magician and Ventriloquist’s Guide (1876)
uri: The-Practical-Magician-and-Ventriloquist-s-Guide-(1876)
url: http://publicdomainreview.org/2012/05/16/the-practical-magician-and-ventriloquists-guide-1876/
content:
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<iframe src='http://archive.org/stream/practicalmagicia00harr?ui=embed#page/n7/mode/2up' width='818px' height='732px' frameborder='0' ></iframe>

<br />
<span style="font-variant: small-caps;">The Practical Magician and Ventriloquist&#8217;s Guide, 
a Practical Manual of Fireside Magic and Conjuring Illusions, also Containing Complete Instructions for Acquiring &#038; Practising the Art of Ventriloquism; 1876; Hurst &#038; Co., New York</span>

<br />
<br />


<blockquote>Ex. 1. The Suffocated Victim &#8211; This was a favorite illustration of Mr. Love, the polyphonist. A large box or close cupboard is used indiscriminately, as it may be handy. The student will rap or kick the box apparently by accident. The voice will then utter a hoarse and subdued groan, apparently from the box 
or closet.
<br />
<br />
Student (pointing to the box with an air of astonishment) : &#8220;What is that ? 
<br />
Voice: I won&#8217;t do so any more. I am nearly dead. 
<br />
Student: Who are you ? How came you there ? 
<br />
Voice: I only wanted to see what was going on. Let me 
out, do. 
<br />
Student: But I don&#8217;t know who you are. 
<br />
Voice: Oh yes, you do. 
<br />
Student: Who are you ? 
<br />
Voice: Your old schoolfellow, Tom. You know me. 
<br />
Student: Why, he&#8217;s in Canada. 
<br />
Voice (sharply): No he aint, he&#8217;s here; but be quick. 
<br />
Student (opening the lid): Perhaps he&#8217;s come by the underground railroad ? Hallo ! 
<br />
Voice (not so muffled as described in direction): Now then, give us a hand. 
<br />
Student (closing the lid or door sharply): No, I won&#8217;t. 
<br />
Voice (as before): Have pity (Tom, or Jack, or Mr_____, as the case may be), or I shall be choked. 
<br />

Student: I don&#8217;t believe you are what you say. 
<br />

Voice : Why don&#8217;t you let me out and see before I am dead ? 
<br />

Student {opening and shutting the lid or door and varying the voice accordingly): Dead ! not you. When did you leave Canada? 
<br />
Voice: Last week. Oh ? I am choking. 
<br />
Student : Shall I let him out ? {opening the door). There&#8217;s no 
one here.</blockquote>

 
<br />
<br />
<a href="http://openlibrary.org/works/OL15421962W/Armata_a_fragment">Open Library link</a>
<br />
<br />
<hr />
<br />

<br />

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feed_id: http://publicdomainreview.org/?p=4873
title: Fortification Theory (1600)
uri: Fortification-Theory-(1600)
url: http://publicdomainreview.org/2012/05/17/fortification-theory-1600/
content:
<div align="center">
Images from Jean Errard&#8217;s <em>Fortification Réduicte Art and Démonstrée</em> (Paris, 1600), a seminal work in fortification theory. Errard (1554-1610) was a mathematician by training, and used his love of geometry (he made several translation of Euclid&#8217;s <em>Elements</em>) to develop a comprehensive theory of military fortifications. He developed a series of geometric designs,  based on polygons of various kinds, which were optimised for defence. The most important of his rules stressed the reliance on infantry for defence of a fortress, who, with their potential rapid rate of fire, were better suited than the artillery, which at this period, given its enormous consumption of gunpowder, was only suitable for providing enfilade fire, not engaging in frontal action.
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(All images from Deutsche Fotothek via <a href="http://commons.wikimedia.org/wiki/Category:Kurtze_Anweisung_zur_Allgemeinen_Fortification_(Jean_Errard)" target="_blank">Wikimedia Commons</a>). 

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