The Public Domain Review

Bound into three exquisitely colored volumes, Fungi features hundreds of species, collected across 42 years by a female mycologist named M. F. Lewis.

One of the earliest uses of intertitles, Hepworth’s film belongs to a genre of fin-de-siècle accident pictures, where we can observe cinema discovering new forms of communication.

Among the loveliest illuminations of Bartholomaeus Anglicus' encyclopedia, Evrard d'Espinque's illuminations use a T-O pattern to trace the Great Chain of Being.

With its otherworldly woodcuts and ornate descriptions of imagined architecture, Hypnerotomachia Poliphili brims with an obsessive and erotic fixation on form. Demetra Vogiatzaki accompanies the hero as he wanders the pages of this quattrocento marvel, at once a story of lost love and a fever dream of antiquity.

More than a set of techniques to improve individual fitness, Johann Friedrich Ludwig Christoph Jahn’s gymnastics were meant to train a new form of body politic.

After a transformative moment on the Devon Coast, Vaughan Cornish devoted his life to the study of waveforms.

Some 50 years before collage would become an established art form, came these pioneering Victorian images all of which exude a certain decorative detail: blood.

During America’s Gilded Age, the future seemed to pulse with electrical possibility. Iwan Rhys Morus follows the interplanetary safari that is John Jacob Astor’s A Journey in Other Worlds, a high-voltage scientific romance in which visions of imperialism haunt a supposedly “perfect” future.

A strange 1797 text — in a personal eye dialect and entirely devoid of punctuation — written by the eccentric 18th-century businessman known for his wildly good luck.

A year before his death, the artist Howard Pyle set off for Italy, leaving unfinished on his Delaware easel his final painting The Mermaid — a profoundly haunting work of art.