The Public Domain Review

During the time of his ‘spiritual awakening’ in 1744 the scientist and philosopher Emanuel Swedenborg kept a dream diary. Richard Lines looks at how, among the heavenly visions, there were also erotic dreams, the significance of which has been long overlooked. Among the many works of the eighteenth-century Swedish scientist, philosopher, religious teacher and visionary Emanuel Swedenborg (1688-1772) his private Drömbok (variously translated into English as Journal of Dreams or Dream Diary) has attracted and continues to attract special attention. Unlike the works he published in his lifetime, or intended to publish, which were all written in Latin, the Journal of Dreams was, in the words of a present-day Swedish Swedenborg scholar, written in ‘rather crude but expressive Swedish’ (Jonsson, 16). It has been described as a ‘difficult and obscure notebook’ (Jonsson, 130) which ‘reflects a profound psychical crisis’ (Jonsson, 150). The Journal covers a period from July 1743 until October 1744, a time when Swedenborg was going through a transition from life as a scientist and mining engineer to one as a ‘revelator’ and seer. As he was to put it himself: I for my part… had never expected to come into that state in which I am now; [...]

A Japanese woodcut by Kamekichi Tsunajima titled “Ryūkō eigo zukushi”, or “A Fashionable Melange of English Words”. The print shows images of animals, activities and objects each with their Japanese and English names. Unfortunately (or perhaps fortunately) some spelling mistakes have given rise to some interesting new activities such as “Refreshiug” and “Cuting Rice”, and the “Gaot”, “Hoise” and “Tea Po”. The introduction of activities (including the very Zen-like “Looking Moon”) give an interesting take on the often more object-orientated Western equivalents. Also worth noting the interesting additions of “Cross Child” rather than simply “Child” , and “Blank Book” rather than “Book”. (This image has been “restored” by Wikimedia user trialanderrors and is housed at Wikimedia Commons. The original can be found at the Library of Congress). SIGN UP TO THE NEWSLETTER Sign up to get our free fortnightly newsletter which shall deliver direct to your inbox the latest brand new article and a digest of the most recent collection items. Simply add your details to the form below and click the link you receive via email to confirm your subscription! Name: E-mail:

Pictorial Atlas to Homer’s Iliad and Odyssey, Thirty-six plates, containing 225 illustrations from works of ancient art, with descriptive text, and an epitome of the contents of each book, for the use of schools and students of literature and art, by R. Engelmann and W.C.F. Anderson; 1892; H. Grevel, London. This Pictorial Atlas is a collection of over 225 illustrations depicting all the major representations of Homer’s Iliad and Odyssey as can be found in classical antiquity. They are arranged in order of each of the stories, which are in turn told in summary chapter by chapter, with accompanying description and commentary on each of the illustrations. The book is housed at the Internet Archive, contributed by the Ontario College of Art And Design. SIGN UP TO THE NEWSLETTER Sign up to get our free fortnightly newsletter which shall deliver direct to your inbox the latest brand new article and a digest of the most recent collection items. Simply add your details to the form below and click the link you receive via email to confirm your subscription! Name: E-mail:

Over the top 1950s “Populuxe” advertisement for General Motors, set at their 1956 Motors Motorama. A woman falls asleep and dreams of a glorious future of perfect products, including a variety of shiny futuristic dream cars and Frigidaire’s fully automated “Kitchen of the Future.” The star of the story is played by dancer and choreographer Tad Tadlock. The film has over the years become a popular symbol of 50s consumerist culture and was featured extensively in the BBC documentary series Pandora’s Box by Adam Curtis. It also appears in its entirety with an amusing “commentary” as a short feature in a fifth-season episode of Mystery Science Theater 3000. Some footage was also used in the music video for Peter Gabriel’s 1987 single “In Your Eyes”, Rush’s 1989 music video for “Superconductor”, a 1989 commercial for the Nintendo Game Boy game Super Mario Land, and a 1994 commercial for Power Macintosh. Part of the film, with dialogue, is played during the opening titles for The Hills Have Eyes. Some snippets (without dialogue) are played in the video watched by Michael Douglas during his physical in The Game and in the opening titles for The Stepford Wives. (Wikipedia) The film is downloadable [...]

Illustrations from (to give its full title) The six voyages of John Baptista Tavernier, a noble man of France now living, through Turky into Persia and the East-Indies, finished in the year 1670 giving an account of the state of those countries : illustrated with divers sculptures ; together with a new relation of the present Grand Seignor’s seraglio, by the same author / made English by J.P. – a remarkable account of travel through 17th century Asia. Tavernier (1605-1689) was a French diamond merchant, traveller and pioneer of diamond trade with India, who covered by his own account, 180,000 miles (290,000 km) over the course of forty years and six voyages. Though he is best known for the discovery and sale of the 118-carat (24 g) blue diamond that he subsequently sold to Louis XIV of France in 1668, (it was stolen in 1792 and re-emerged in London as The Hope Diamond), his writings show that he was a keen observer of his time as well as a remarkable cultural anthropologist. (Wikipedia) See the English translation of Tavernier’s book, from which these images comes, in our Text collection post. You can also read a nice post on Tavernier’s book [...]

The six voyages of John Baptista Tavernier, Jean-Baptiste Tavernier, translated by John Phillips; R.L. and M.P., London. To give it its full title – The six voyages of John Baptista Tavernier, a noble man of France now living, through Turky into Persia and the East-Indies, finished in the year 1670 giving an account of the state of those countries : illustrated with divers sculptures ; together with a new relation of the present Grand Seignor’s seraglio, by the same author / made English by J.P. – is a remarkable account of travel through 17th century Asia. Tavernier (1605-1689) was a French diamond merchant, traveller and pioneer of diamond trade with India, who covered by his own account, 180,000 miles (290,000 km) over the course of forty years and six voyages. Though he is best known for the discovery and sale of the 118-carat (24 g) blue diamond that he subsequently sold to Louis XIV of France in 1668, (it was stolen in 1792 and re-emerged in London as The Hope Diamond), his writings show that he was a keen observer of his time as well as a remarkable cultural anthropologist. (Wikipedia) The exquisite illustrations from Tavernier’s book can be seen [...]

17th January 2013 marks the 150th anniversary of the birth of Konstantin Stanislavski, a Russian theatre director whose theories on acting revolutionised the art. His techniques revolved around getting actors to draw believable emotions to their performances. The method that was originally created and used by Stanislavski from 1911 to 1916 was based on the concept of emotional memory for which an actor focuses internally to portray a character’s emotions onstage. Later, between 1934–1938, this technique evolved to a method of physical actions in which emotions are produced through the use of actions. In his earlier acting days, increasingly interested in “living the part,” Stanislavski experimented with the ability to maintain a characterization in real life, disguising himself as a tramp or drunk and visiting the railway station, or disguising himself as a fortune-telling gypsy. He extended the experiment to the rest of the cast of a short comedy in which he performed in 1883, and as late as 1900 he amused holiday-makers in Yalta by taking a walk each morning “in character”. His theories are explicated in a series of writings including An Actor Prepares, An Actor’s Work on a Role, and his autobiography, My Life in Art. (Wikipedia) [...]

The contents of Box 14 from the Manly Palmer Hall Collection of Alchemical Manuscripts, a huge collection of esoteric works amassed by Manly Palmer Hall, a Canadian-born author and mystic, perhaps most famous for his The Secret Teachings of All Ages (1928). Most of the material in the collection was acquired from Sotheby’s auctioneers on a trip he made in the 1930s to England and France – bought very cheaply due to the economic conditions of the time. The material in Hall’s collection dates from 1500 to 1825, and includes works from the likes of Jakob Böhme, Sigismond Bacstrom, Alessandro Cagliostro, George Ripley and Michael Maier. The creator of these particular watercolours featured below is unknown. A typewritten note in the back, in French, translates as follows: ALCHEMICAL ALBUM – The Vessels of Hermes – quarto atlas containing five beautiful colour plates very artistically executed and with explanatory caption. Vol. half vellum. The plates of this collection are the synthetic description of the great work. The first one represents the egg of Hermogenes and the three characters who hold it are salt, sulphur and mercury. The second is the king’s bath made with the blood of the innocents. The third [...]

Richard Isaac Banks (1878–1915), who changed his name to Billy Williams after leaving his birthplace of Australia, was one of the most recorded popular entertainers of his time. Born in Melbourne, Williams tried a number of jobs before embarking on an entertainment career which led him to come to England in 1899. He became a popular entertainer in the music halls singing what were known as chorus-songs, and also appeared in pantomime. The year 1912 seemed to be the zenith of Williams’ career – he appeared in the first Royal Command Performance of that year and achieved glowing reviews in the national press. Sadly this fame was not to last as Williams became ill in late 1914 and died in Hove near Brighton in March 1915, the proximate cause being complications after an operation, but rumoured to be connected with “previous social excesses.” (Wikipedia) MP3 Download Internet Archive Link Sign up to get our free fortnightly newsletter which shall deliver direct to your inbox the latest brand new article and a digest of the most recent collection items. Simply add your details to the form below and click the link you receive via email to confirm your subscription!

Making a Living (1914) marked Charlie Chaplin’s first ever film appearance. In the film he plays a lady-charming swindler, Edgar English, who runs afoul of the Keystone Kops. Chaplin strongly disliked the picture, but one review picked him out as “a comedian of the first water.” Although his character wears a large moustache, top hat, and carries a cane, it was not until his next film, Kid Auto Races at Venice, that Chaplin would appear as his famous Tramp character with which he would thereon be identified. The music we hear over the film (added afterwards) is by Jelly Roll Morton’s Red Hot Peppers. Download from Internet Archive Note this film is in the public domain in the US, but may not be in other jurisdictions. Please check its status in your jurisdiction before re-using. Sign up to get our free fortnightly newsletter which shall deliver direct to your inbox the latest brand new article and a digest of the most recent collection items. Simply add your details to the form below and click the link you receive via email to confirm your subscription!