The Public Domain Review

This celestial image has long stumped scholars: is it a lost Renaissance engraving or a nineteenth century pastiche?

Originally printed in a run of one hundred copies, only a half-dozen of which remain, this dangerous book is made from wallpaper laced with arsenic.

The Coney Island “Congress”, supposedly captured here in audio, was a conglomeration of counterfeits.

After weeks of watching young tendrils slowly corkscrew their way toward the sun, Charles Darwin set about inventing a system for making botanic motion visible to the naked eye. Natalie Lawrence delves into a lesser-known chapter of the naturalist’s research, discovering revelations about the vegetal world that remain neglected to this day.

Francis Galton's Inquiries Into Human Faculty and its Development features what is thought to be the first colour image of synaesthetic visualisations.

French occultist Jean-Baptiste Alliette refashioned the tarot deck as a tool for spiritual and mundane divination.

Prepared for “The Exhibit of American Negroes” at the Paris Exposition, Murray's bibliography lists all works of Black Americans known at the time.

When geometrical solids took hold of the Renaissance imagination, they promised the quintessence of the third dimension in its pure and unadulterated form. Noam Andrews discovers how polyhedra descended from mathematical treatises to artists’ studios, distilling abstract ideas into objects one could see and touch.

Bound into three exquisitely colored volumes, Fungi features hundreds of species, collected across 42 years by a female mycologist named M. F. Lewis.

One of the earliest uses of intertitles, Hepworth’s film belongs to a genre of fin-de-siècle accident pictures, where we can observe cinema discovering new forms of communication.