The Public Domain Review

What does the future sound like? In the early 20th century, one answer rang out from Luigi Russolo’s intonarumori — lever-operated machines designed to pop, sough, shriek, and shock. Peter Tracy explores the ambitions behind Italian Futurism’s experiments with noise and the sensory, spiritual, and political affinities of this radical new music.

These landscapes depict worlds populated by animals, where the built environment of humans is relegated to the distant background.

This 227-page volume collects, in wonderfully elaborate style, the signatures of over 75 of Europe’s most illustrious seventeenth-century nobles.

A cryptic, Rosicrucian-inspired text of disputed authorship, featuring engravings rich in alchemical symbolism.

Combing across 19th-century shores, seaweed collectors would wander for hours, tucking specimens into pouches and jars, before pasting their finds into artful albums. Sasha Archibald explores the eros contained in the pressed and illustrated pages of notable algologists, including “the most ambitious album of all” by Charles F. Durant.

Inventor Robert Pittis Scott's Cycling Art offers a whimsical and illustrated tour through the previous century of “man-motor locomotion”.

Five-part mineralogical handbook containing more than four hundred vividly hand-colored engravings of various rocks, minerals, and compounds.

Bruegel's drawing, based on a proverb and subject to numerous adaptations, relates the natural world to injustice: the feeling that human predation is innately born and instinctive.

After the passing of William James — philosopher, early psychologist, and investigator of psychic phenomena — mediums across the US began receiving messages from the late Harvard professor. Channelling these fragmentary voices, Alicia Puglionesi considers the relationship between communication, reputation, and survival after death.

Completed in his early twenties, Dürer's pillow studies seem to slip between the waking world and the stuff of dreams.